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"Pembeni mwa nafsi" (Au bord du soi): Mihalina Nyota's Meditation on Vanity
Portraits

“Pembeni mwa nafsi” (At the Edge of the Self): Mihalina Nyota’s Meditation on Vanity

Mihalina Nyota Buzilu, one of the rising voices on Kinshasa’s contemporary art scene, revisits one of the oldest themes in the history of Western painting and brings it into conversation with the anxieties of her own generation. In “Pembeni mwa nafsi” (Au bord du soi), a reclining figure gazes into a hand mirror while a skull waits patiently nearby. A meditation on vanity, narcissism, and the life we refuse to accept, the work unfolds as a quiet warning about the dangerous border where self-contemplation becomes self-loss. Watch the artist speak.

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Portraits

From Bolobo to Kōkyo: An Homage to Alfred Liyolo

Walk through Kinshasa today, and you’ll encounter Alfred Liyolo’s legacy in two forms: bronze sculptures gracing public squares and his smiling face on Tembo beer advertisements throughout the city. That a beloved Congolese beer brand chose an artist to represent their product speaks volumes about how Liyolo captured the nation’s heart.
The journey from Bolobo, a humble riverside town on the Congo River where Liyolo was born in 1943, to Kokyo (Tokyo’s Imperial Palace) where he became the first and only African artist ever received by Emperor Akihito, is extraordinary. This is the story of how a grandson of an ivory carver transformed bronze into bridges between worlds, proved that art could speak to emperors and common people alike, and became a symbol of Congolese pride served with every bottle of beer in the nation’s capital.

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an image of the congolese artist Phinet kisimba talking about one of his artworks on video
Portraits

“Rites de Passage”: The Art of Tradition by Phinet Kisimba

“In ‘Rites de Passage,’ Phinet Kisimba masterfully bridges ancient traditions with contemporary art. Through a contemplative figure draped in white and the symbolic presence of a Mwanza mask, he explores the sacred feminine rites of passage in Katangese culture. The vibrant red background and traditional symbolism create a powerful dialogue between past and present, inviting us to reflect on the evolution of cultural transmission in modern Congolese society.

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