Ever heard of Antoinette Lubaki? The first female Congolese painter in history and a revolutionary force in 1920s African art? While her name has faded from mainstream art history, her story pulses with drama, innovation, and defiance. A chief’s daughter whose extraordinary murals in a remote Congolese village caught the eye of a Belgian administrator, she was thrust into Europe’s prestigious galleries, only to face systematic erasure of her identity and artistic autonomy. Through vibrant watercolors, she seamlessly merged Congolese traditions with modernist sensibilities, challenging gender prejudices, colonial expectations, and artistic conventions. Her unique visual language spoke of resilience and cultural pride, earning her international recognition. Her meteoric rise in the art world came to an abrupt end in the 1930s when her art supplies were suddenly cut off—a stark reminder of how easily artistic voices could be silenced. Here, finally, is her story…

Through TKM’s extraordinary paintings, we pay homage to Patrice Lumumba, 64 years after his assassination. Here was a man whose words proved so dangerous that his enemies not only killed him, but tried to erase every trace of his existence – dissolving his body in acid and mysteriously “losing” nearly all recordings of his powerful speeches. Malcolm X called him “the greatest black man who ever walked the African continent,” yet his story remains surprisingly undertold. Following TKM’s visual testament, we uncover the journey of an African hero who dared to speak truth to power, who fought with words rather than weapons, and whose vision of true independence was so threatening that even six decades later, we’re still discovering how thoroughly his voice was suppressed. This is not just a retelling of history, but a tribute to a man whose dream of African dignity and real freedom remains as vital today as it was in 1961.

Through five striking paintings by Congolese artist Tshibumba Kanda Matulu, discover how colonial power was established in Congo, from Stanley’s first arrival to Belgian rule. His artwork reveals the calculated stages of colonial control: exploration, betrayal, deception, and systematic elimination of indigenous power. This visual journey through history, seen through Congolese eyes, reveals how one of history’s most brutal colonial enterprises was built – and the extraordinary resilience of those who endured it. More than historical documentation, these paintings offer a uniquely Congolese perspective on events usually told by Western voices.